{"id":2877,"date":"2020-03-08T17:19:27","date_gmt":"2020-03-08T16:19:27","guid":{"rendered":"http:\/\/imagessecondes.fr\/?p=2877"},"modified":"2020-03-20T08:47:37","modified_gmt":"2020-03-20T07:47:37","slug":"bibliographie-generale","status":"publish","type":"post","link":"https:\/\/imagessecondes.fr\/index.php\/2020\/03\/bibliographie-generale\/","title":{"rendered":"Bibliographie g\u00e9n\u00e9rale"},"content":{"rendered":"\n\n<p class=\"has-text-color has-vivid-red-color\"><a href=\"http:\/\/imagessecondes.fr\/wp-content\/uploads\/2020\/03\/IS2_BIBLIOGRAPHIE-min.pdf\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"\u2261 Version pdf \u00e0 t\u00e9l\u00e9charger (opens in a new tab)\">\u2261 Version pdf \u00e0 t\u00e9l\u00e9charger<\/a><\/p>\n\n\n\n\n\n<h4 class=\"wp-block-heading\">Ouvrages monographiques<\/h4>\n\n\n\n\n\n<ul class=\"wp-block-list\"><li>Amaldi, Paolo, <em>Architecture, profondeur, mouvement<\/em>, Infolio, 2011.<\/li><li>Andreotti, Libero (\u00e9d.), <em>Spielraum: W. Benjamin et l\u2019architecture<\/em>, Paris, Editions de la Villette, 2011.<\/li><li>Benjamin, Walter, <em>\u00c9crits fran\u00e7ais<\/em>, Paris, Gallimard, 1991.<\/li><li>Benjamin, Walter, <em>\u0152uvres II et III<\/em>, Paris, Gallimard, 2000.<\/li><li>Benjamin, Walter, <em>Paris, Capitale du XIX<sup>e<\/sup> si\u00e8cle<\/em>, trad. Jean Lacoste, Paris, \u00c9ditions du Cerf, 2006.<\/li><li>Benjamin, Walter, <em>Selected writings. Volume 2, 1927-1934<\/em>, Cambridge \/ London, The Balknap press of Harvard university press, 1999.<\/li><li>Benjamin, Walter, <em>Sens unique <\/em>(1928), traduit de l\u2019allemand par Jean Lacoste, Paris, Maurice Nadeau, 2007.<\/li><li>Berdet, Marc, <em>Le chiffonnier de Paris. Walter Benjamin et les fantasmagories<\/em>, Paris, Vrin, 2015.<\/li><li>Bloch, Ernst, <em>H\u00e9ritage de ce temps<\/em> (1935), traduit de l\u2019allemand par Jean Lacoste, Paris, Klincksieck, 2017.<\/li><li>Bruno, Giuliana, <em>Atlas of Emotion : Journeys in Art, Architecture, and Film<\/em>, New York, Verso, 2002.<\/li><li>Canudo, Ricciotto, L\u2019Usine aux images, S\u00e9guier, 1995.<\/li><li>Caritoux, Nathalie et Vuillard, Florent (dir.), <em>Nouvelles psychog\u00e9ographiques<\/em>, Lyon, Ed. Mim\u00e9sis 2016.<\/li><li>Crary, Jonathan, <em>L\u2019art de l\u2019observateur. Vision et modernit\u00e9 au XIXe si\u00e8cle<\/em>, N\u00eemes, Jacqueline Chambon, 1994. <\/li><li>Eisenstein, Sergue\u00ef-Mikha\u00eflovitch,\u00ab&nbsp;Montage et architecture&nbsp;\u00bb, dans <em>Faces Journal d\u2019architecture<\/em>, n\u00b040, hiver 1997.<\/li><li>Faure, Elie, Fonction du cin\u00e9ma, Denoel\/Gonthier, 1953.<\/li><li>Fourier, Charles, <em>Th\u00e9orie de l\u2019unit\u00e9 universelle<\/em>, T.2, Dijon, Presses du r\u00e9el, 2001.<\/li><li>Friedberg, Anne, <em>Window shopping. Cinema and the postmodern<\/em>, Berkeley, Univerisity of California press, 1994.<\/li><li>Giedion, Siegfried, <em>Construire en France, construire en fer, construire en b\u00e9ton<\/em> [1928], Paris, La Villette, 2000.<\/li><li>Giedion, Siegfried, <em>Espace, Temps, Architecture. La naissance d\u2019une nouvelle tradition<\/em> [1948], Paris, Deno\u00ebl, 2004 <\/li><li>Goetz, Benoit, <em>La dislocation. Architecture et philosophie<\/em>, Verdier, 2018.<\/li><li>Gubler, Jacques, \u00ab&nbsp;Motion. \u00c9motions. Notes sur la marche \u00e0 pied et l\u2019architecture du sol&nbsp;\u00bb, <em>Motion, \u00e9motions. Th\u00e8mes d\u2019histoire et d\u2019architecture<\/em>, Infolio, 2006.<\/li><li>Hessel, Franz, <em>Fl\u00e2neries parisiennes<\/em>, trad. Ma\u00ebl Renouard, Paris, Payots &amp; Rivages, 2013.<\/li><li>Holston, James, <em>The Modernist City: An Anthropological Critique of Bras\u00edlia<\/em>, Chicago, The University of Chicago Press, 1989.<\/li><li>Koeck, Richard, <em>Cine-scapes : Cinematic spaces in architecture and cities<\/em>, New York, Routledge, 2013.<\/li><li>Koolhaas, Rem, <em>Junkspace. Repenser radicalement l\u2019espace urbain<\/em>, Paris, Payot, 2011.<\/li><li>Koolhaas, Rem, <em>New York D\u00e9lire. Un manifeste r\u00e9troactif pour Manhattan<\/em> [1978], Marseille, \u00c9ditions Parenth\u00e8ses<em>, <\/em>2002.<\/li><li>Kracauer, Siegfried, <em>Rues de Berlin et d\u2019ailleurs<\/em>, Paris, Gallimard, 1995.<\/li><li>Le Corbusier, <em>\u0152uvre Compl\u00e8te<\/em>, Zurich, Les \u00c9ditions d\u2019architecture, 1994.<\/li><li>Le Corbusier, <em>Vers une architecture<\/em>, Paris, Flammarion, 2008.<\/li><li>Lynch, Kevin, <em>L\u2019Image de la Cit\u00e9<\/em>, Paris, \u00c9d. Dunod, 1998.<\/li><li>Manovich, Lev, <em>Le langage des nouveaux m\u00e9dias<\/em>, traduit de l\u2019anglais par Richard Crevier, Dijon, Les presses du r\u00e9el, 2010.<\/li><li>Mc Quire, Scott, <em>The Media City : Media, Architecture and Urban Space<\/em>, London-Los Angeles, Sage, 2008.<\/li><li>Moholy-Nagy, L\u00e1szl\u00f3, <em>Du Mat\u00e9riau \u00e0 l\u2019architecture <\/em>(1929), Paris, \u00c9ditions de la Villette<em>, <\/em>2015.<\/li><li>Nitsche, Michael, <em>Video game spaces. Image, play, and structure in 3D worlds<\/em>, Cambridge (MA), MIT Press, 2008.<\/li><li>Norberg-Schulz, Christian,<em> L\u2019art du lieu. Architecture et paysage, permanence et mutations<\/em>, Paris, Le moniteur, 1997.<\/li><li>Noury, Larissa, <em>La Couleur dans la ville<\/em>, Paris, Le Moniteur, 2008.<\/li><li>Pallasmaa, Juhani, <em>The Architecture of image : Existential space in cinema<\/em>, Helsinki, Rakennustieto, 2001.<\/li><li>Perrier, Florent, <em>Topeaugraphies de l\u2019utopie<\/em>, Paris, Payot, 2005.<\/li><li>Picon, Antoine,<em> Culture num\u00e9rique et architecture. Une introduction<\/em>, B\u00e2le, Birk\u00e4user, 2010. <\/li><li>Scheerbart, Paul, <em>Architecture de verre. <\/em>Compl\u00e9t\u00e9 par Bruno Taut<em>, Constructeur du monde <\/em>et Walter Benjamin<em>, Exp\u00e9rience et pauvret\u00e9<\/em>, Paris, \u00c9ditions B2, 2015.<\/li><li>Sch\u00e9rer, Ren\u00e9, <em>Utopies nomades<\/em>, Dijon, Les presses du r\u00e9el, 2009.<\/li><li>Servantie, Marie-Pierre, <em>Chromo-Architecture \u2013 L&rsquo;art de construire en couleurs<\/em>, Paris, \u00c9ditions Alternatives, 2007.<\/li><li>Simmel, Georg, <em>Les grandes villes et la vie de l\u2019esprit<\/em>, Paris, \u00c9ditions de l\u2019Herne, 2007.<\/li><li>Somaini, Antonio, <em>La \u00ab Glass house \u00bb de Sergue\u00ef Eisenstein : Cin\u00e9matisme et Architecture de verre<\/em>, Paris, \u00c9ditions B2, 2017.<\/li><li>Tawa, Michael, <em>Agencies of the frame : Tectonic strategies in cinema and architecture<\/em>, Newcastle, Cambridge Scholars Pub., 2011.<\/li><li>Terrance, Fortin David, <em>Architecture and science-fiction film : Philip K. Dick and the spectacle of home<\/em>, Ashgate, 2011.<\/li><li>Virilio, Paul, <em>Esth\u00e9tique de la disparition<\/em>, Paris, Galil\u00e9e, 1989.<\/li><li>Virilio, Paul<em>, L\u2019espace Critique. Essai sur l\u2019urbanisme et les nouvelles technologies<\/em>, Paris, Christian Bourgeois, 1984. <\/li><li>Virilio, Paul<em>, Ville panique, Ailleurs commence ici<\/em>, Paris, Galil\u00e9e, 2004. <\/li><\/ul>\n\n\n\n\n\n<h4 class=\"wp-block-heading\"> Ouvrages collectifs <\/h4>\n\n\n\n\n\n<ul class=\"wp-block-list\"><li>Berr\u00e9by, G\u00e9rard (ed.), Textes et documents situationnistes 1957-1960, Paris, Allia, 2004.<\/li><li>Biserna, Elena&nbsp;; Brown, Precious, (\u00e9ds.), <em>Cin\u00e9ma, Architecture, dispositif<\/em>, Udine, Campanotto, 2011. <\/li><li>Brayer, Marie-Ange&nbsp;; Migayrou, Fr\u00e9d\u00e9ric (\u00e9ds.), <em>Architectures exp\u00e9rimentales 1950-2000. Collection du FRAC Centre<\/em>, Orl\u00e9ans, HYX, 2003. <\/li><li>Bull, Synne&nbsp;; Paasche, Marit (\u00e9ds.), <em>Urban images: Unruly Desires in Film and Architecture<\/em>, Berlin, Sternberg Press, 2011.<\/li><li>Caritoux, Nathalie&nbsp;; Vuillard, Florent (\u00e9ds.), <em>Nouvelles psychog\u00e9ographiques<\/em>, Lyon, Ed. Mim\u00e9sis, 2016.<\/li><li>Cherchi Usai, Paolo&nbsp;; Kessler, Frank (\u00e9ds.), \u00ab Cin\u00e9ma et architecture \u00bb, <em>Iris<\/em>, n\u00b012, Paris, M\u00e9ridiens Klincksieck, 1991.<\/li><li>Lageira, Jacinto&nbsp;; Roman, Mathilde (\u00e9ds.) <em>Corps et images. \u0152uvres, dispositifs et \u00e9crans contemporains<\/em>, Milan, Mimesis, 2017.<\/li><li>Latek, Irena&nbsp;; Paviol, Sophie&nbsp;; Simond, Clotilde&nbsp;; V\u00e9ry, Fran\u00e7oise (\u00e9ds.), <em>In situ \u2013 de visu \u2013 in motu : architecture, cin\u00e9ma et arts technologiques<\/em>, Gollion, Infolio \u00c9ditions, 2014.<\/li><li>Rowe, Colin et Koetter, Fred, Collage City, Infolio \u00e9ditions, 2002.<\/li><li>Seraji, Nasrine&nbsp;; Magana, Jessie (\u00e9ds.), <em>Architecture &amp; cin\u00e9ma<\/em>, \u00c9cole nationale sup\u00e9rieure d\u2019architecture Paris-Malaquais, Gollion, Infolio \u00c9ditions, 2015. <\/li><li>Simond, Clotilde&nbsp;; Paviol, Sophie, <em>Cin\u00e9ma et architecture, La rel\u00e8ve de l\u2019art<\/em>, Lyon, Al\u00e9as, 2009. <\/li><\/ul>\n\n\n\n\n\n<h4 class=\"wp-block-heading\">Articles<\/h4>\n\n\n\n\n\n<ul class=\"wp-block-list\"><li>Bataille, Georges, \u00ab&nbsp;Architecture&nbsp;\u00bb, <em>Documents<\/em>, n\u00b02, mars 1929, p. 117.<\/li><li>Comolli, Jean-Louis, \u00ab&nbsp;Du promeneur au spectateur&nbsp;\u00bb, dans Thierry Jousse et Thierry Paquot (\u00e9ds.), <em>La Ville au cin\u00e9ma<\/em>, Paris, Cahiers du Cin\u00e9ma, 2005, pp. 28-35.<\/li><li>De Chassey, Eric, \u00ab&nbsp;Apr\u00e8s la grille&nbsp;\u00bb, dans Bernard Ceysson, Eric de Chassey, Camille Morineau(\u00e9ds.), <em>Abstractions \/ abstractions&nbsp;: g\u00e9om\u00e9tries provisoires<\/em>, Saint-Etienne, Mus\u00e9e d\u2019art moderne, 1997. <\/li><li>Debord, Guy, \u00ab&nbsp;Th\u00e9orie de la d\u00e9rive&nbsp;\u00bb, <em>Les L\u00e8vres nues<\/em> n\u00b0&nbsp;9, d\u00e9cembre 1956.<\/li><li>Debout, Simone, \u00ab&nbsp;La ville de transition&nbsp;\u00bb, dans <em>L\u2019Utopie de Charles Fourier<\/em>, Dijon, Presses du r\u00e9el, 1998 (1978), p.187-214.<\/li><li>Doherty, Brigid, \u00ab&nbsp;\u00ab\u00a0The Colportage phenomenon of space\u00a0\u00bb and the place of montage in <em>The Arcades project<\/em>&nbsp;\u00bb, dans Beatrice Hanssen (\u00e9d.), <em>Walter Benjamin and The Arcades project<\/em>, London \/ New York, Continuum, 2006.<\/li><li>During, Elie, \u00ab Julien Pr\u00e9vieux ou la reconnaissance des formes \u00bb, dans Dario Cimorelli, Giacomo Merli, (\u00e9ds.) <em>Le prix Marcel Duchamp 2014 : Th\u00e9o Mercier, Julien Pr\u00e9vieux, Florian et Micha\u00ebl Quistrebert, Evariste Richer<\/em>, Milan, Silvana Editoriale, 2014. <\/li><li>Eisenstein, Serge\u00ef M., \u00ab Montage et architecture \u00bb, dans <em>Cin\u00e9matisme<\/em>, Dijon, Kargo\/Les presses du r\u00e9el, 2009, pp. 43-64.<\/li><li>Ferreira Nunes, Brasilmar&nbsp;; Bandeira, Lourdes, \u00ab&nbsp;Bras\u00edlia&nbsp;: l\u2019urbanit\u00e9 dans une ville nouvelle&nbsp;\u00bb, <em>Espaces et soci\u00e9t\u00e9s<\/em>, 2004\/4 (n<sup>o<\/sup> 119), pp. 93-111.<\/li><li>G\u00f6tz, Ulrich, \u00ab&nbsp;Load and support. Architectural realism in video games&nbsp;\u00bb, in Friedrich von Burries, Steffen P. Walz, et Matthias B\u00f6ttger (\u00e9ds.), <em>Space time play. Computer games, architecture and urbanism: the next level<\/em>, Birkh\u00e4user, 2007.<\/li><li>Latour, Bruno&nbsp;; Yaneva, Albena, \u00ab Give me a gun and I will Make All Building Move. An Ant\u2019s View of Architecture \u00bb, dans Geiser, Reto (\u00e9d.), <em>Exploration in Architecture : Teaching, Design, Research<\/em>, Basel, Birkh\u00e4user Editions, 2008, pp. 80-89.<\/li><li>Rosalind, Krauss, \u00ab&nbsp;Grilles&nbsp;\u00bb, <em>L\u2019originalit\u00e9 de l\u2019avant-garde et autres mythes modernistes<\/em>, Paris, Macula, 1993. <\/li><li>Simond, Clotilde, \u00ab&nbsp;Vid\u00e9o\/Architecture. L\u2019image en mouvement comme processus de projet. Cin\u00e9maet architecture. Rencontre de deux arts en bordure: les ann\u00e9es 20&nbsp;\u00bb, [Rapport de recherche] Minist\u00e8re de la culture et de la communication \/ Bureau de la recherche (BRAUP); Institut national d\u2019histoirede l\u2019art (INHA); Ecole nationale sup\u00e9rieure d\u2019architecture de Grenoble \/ Laboratoire des M\u00e9tiers del\u2019Histoire de l\u2019Architecture (MHA). 2007. hal-01794293.<\/li><li>Sztulman, Paul, \u00ab&nbsp;Les explorateurs des ab\u00eemes&nbsp;\u00bb, dans Elsa Boyer (\u00e9d.), <em>Voir les jeux vid\u00e9o<\/em>. <em>Perception, construction, fiction, <\/em>Bayard, 2012.<\/li><li>Van Doesburg, Theo, \u00ab La signification de la couleur en architecture \u00bb, <em>La Cit\u00e9&nbsp;:&nbsp;urbanisme, architecture, art public<\/em>, n\u00b010, mai 1924, pp. 181-183.<\/li><li>Vergnes, Eug\u00e8ne, \u00ab&nbsp;Architecture cin\u00e9matographique&nbsp;\u00bb, <em>La construction moderne<\/em>, n\u00b0 13, 37<sup>\u00e8me<\/sup> ann\u00e9e, 25 d\u00e9cembre 1921. <\/li><li>Vertov, Dziga, \u00ab&nbsp;<em>Kino-Glaz<\/em> (Cin\u00e9-chronique en six s\u00e9ries)&nbsp;\u00bb (1924), dans <em>Le Cin\u00e9-\u0153il de la r\u00e9volution. \u00c9crits sur le cin\u00e9ma<\/em>, trad. Irina Tcherneva, Dijon, Presses du r\u00e9el, 2018. <\/li><\/ul>\n\n","protected":false},"excerpt":{"rendered":"<p>\u2261 Version pdf \u00e0 t\u00e9l\u00e9charger Ouvrages monographiques Amaldi, Paolo, Architecture, profondeur, mouvement, Infolio, 2011. Andreotti, Libero (\u00e9d.), Spielraum: W. Benjamin et l\u2019architecture, Paris, Editions de la Villette, 2011. Benjamin, Walter, \u00c9crits fran\u00e7ais, Paris, Gallimard, 1991. Benjamin, Walter, \u0152uvres II et III, Paris, Gallimard, 2000. Benjamin, Walter, Paris, Capitale du XIXe si\u00e8cle, trad. Jean Lacoste, Paris,<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[105],"tags":[],"class_list":["post-2877","post","type-post","status-publish","format-standard","hentry","category-architecture-cinema"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p9TfUI-Kp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/posts\/2877","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/comments?post=2877"}],"version-history":[{"count":6,"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/posts\/2877\/revisions"}],"predecessor-version":[{"id":3103,"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/posts\/2877\/revisions\/3103"}],"wp:attachment":[{"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/media?parent=2877"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/categories?post=2877"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/tags?post=2877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}