{"id":5963,"date":"2022-11-07T10:41:15","date_gmt":"2022-11-07T09:41:15","guid":{"rendered":"http:\/\/imagessecondes.fr\/?page_id=5963"},"modified":"2024-12-16T11:21:00","modified_gmt":"2024-12-16T10:21:00","slug":"appel-en-cours-05-2024","status":"publish","type":"page","link":"https:\/\/imagessecondes.fr\/index.php\/appel-en-cours-05-2024\/","title":{"rendered":"Appel en cours 05 | 2024"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"5963\" class=\"elementor elementor-5963\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-3df8b2fa elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3df8b2fa\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-5180188f\" data-id=\"5180188f\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-44c45c1c elementor-widget elementor-widget-text-editor\" data-id=\"44c45c1c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\n<h3 class=\"has-text-align-center has-text-color wp-block-heading\" style=\"color: #ff5d39;\"><strong><span style=\"color: #cf2e2e;\">APPEL \u00c0 CONTRIBUTIONS<\/span><\/strong><\/h3>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><strong style=\"outline: currentcolor;\">\u2013 Appel clos \u2013<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #cf2e2e;\"><a style=\"color: #cf2e2e;\" href=\"http:\/\/imagessecondes.fr\/wp-content\/uploads\/2023\/03\/Appel-IS5_V1_fr_prolonge2.pdf\">Consulter l\u2019appel en fran\u00e7ais dans l\u2019int\u00e9gralit\u00e9<\/a>\u00a0\/\/\u00a0<a style=\"color: #cf2e2e;\" href=\"http:\/\/imagessecondes.fr\/wp-content\/uploads\/2023\/03\/Appel-IS5_V1_eng_extended2.pdf\">Read the call for papers in English<\/a><\/span><\/strong><\/p>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<p>\u00a0<\/p>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<h4 class=\"has-text-color wp-block-heading\" style=\"color: #ff5d39; font-style: normal; font-weight: 900;\"><span style=\"color: #000000;\"><strong>05 | 2024\u00a0Cin\u00e9ma et sp\u00e9culation financi\u00e8re<\/strong><\/span><\/h4>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<h5 class=\"has-medium-font-size wp-block-heading\" style=\"font-style: normal; font-weight: 900;\"><strong><span style=\"color: #cf2e2e;\">R\u00e9dacteurs en chef du num\u00e9ro<\/span><\/strong><\/h5>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<p class=\"has-black-color has-text-color\"><span style=\"color: #000000;\"><strong>Occitane Lacurie<\/strong>, doctorante en \u00e9tudes visuelles et esth\u00e9tique \u00e0 l\u2019Universit\u00e9 Paris 1 \u2013 Panth\u00e9on Sorbonne (\u00c9cole des Arts de la Sorbonne) \u2014 <strong>Barnab\u00e9 Sauvage<\/strong>, doctorant en \u00e9tudes visuelles et litt\u00e9rature fran\u00e7aise \u00e0 l\u2019Universit\u00e9 Paris Cit\u00e9 (CERILAC).<\/span><\/p>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<h5 class=\"has-medium-font-size wp-block-heading\"><span style=\"color: #cf2e2e;\"><strong>R\u00e9sum\u00e9 de l&rsquo;appel<\/strong><\/span><\/h5>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<p><span style=\"color: #000000;\">Le cinqui\u00e8me num\u00e9ro de la revue <em>Images secondes<\/em> propose d\u2019interroger la port\u00e9e didactique, figurative et critique des images en mouvement qui tentent de saisir, de fixer ou de laisser circuler les flux du capital. Ouvrant l\u2019analyse des images aux champs de l\u2019\u00e9conomie et de la critique sociale, ce num\u00e9ro souhaite ainsi questionner un objet contemporain consubstantiel \u00e0 la d\u00e9finition du capitalisme tardif financiaris\u00e9 : la bourse et l\u2019activit\u00e9 sp\u00e9culative. En analysant comment la finance s\u2019incarne en fait social, m\u00e9diatique et figuratif au cin\u00e9ma et dans les arts de l\u2019image en mouvement, nous cherchons ainsi \u00e0 interroger le capital comme\u00a0<em>processus de cr\u00e9ation d\u2019images<\/em>. L\u2019enjeu central de ce processus, la\u00a0<em>visibilit\u00e9<\/em>, pourrait se d\u00e9cliner selon quatre modalit\u00e9s :<\/span><\/p>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<ul class=\"wp-block-list\">\n<li><span style=\"color: #000000;\">La mutation des repr\u00e9sentations qui s\u2019est engag\u00e9e \u00e0 la fin du si\u00e8cle dernier, et accompagne la transformation du march\u00e9 physique par la dynamique de num\u00e9risation : quelle transformation de l\u2019image des places boursi\u00e8res, des acteurs de la financiarisation et des flux \u00e9conomiques le cin\u00e9ma et les arts visuels ont-ils accompagn\u00e9e ?<\/span><\/li>\n<li><span style=\"color: #000000;\">La figuration des produits et des flux financiers, pour repr\u00e9senter la complexification de l\u2019\u00e9conomie, participer \u00e0 son opacification ou bien la contrer : quelle nouvelle figuration de la valeur \u00e0 l\u2019\u00e8re du capital financier les arts de l\u2019image en mouvement participent-ils \u00e0 mat\u00e9rialiser ou \u00e0 d\u00e9sincarner ?<\/span><\/li>\n<li><span style=\"color: #000000;\">La transformation du cin\u00e9ma et des arts visuels par les modes d\u2019\u00e9changes de l\u2019\u00e9conomie financiaris\u00e9e : quelle transformation anthropologique de la visibilit\u00e9 engagent les processus de marchandisation de l\u2019image et du temps de consommation de celles-ci ?<\/span><\/li>\n<li><span style=\"color: #000000;\">Les effets de la financiarisation de l\u2019\u00e9conomie sur l\u2019ensemble de l\u2019activit\u00e9 productive : quel est le statut des m\u00e9dias audiovisuels et des images op\u00e9ratoires dans le d\u00e9veloppement d\u2019une nouvelle \u00e9conomie computationnelle ?<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<p><span style=\"color: #000000;\">Nous invitons pour ce num\u00e9ro \u00e0 des contributions individuelles ou collectives prenant la forme d\u2019articles scientifiques ou bien d\u2019\u0153uvres audiovisuelles (essai vid\u00e9ographique), plastiques (\u0153uvre num\u00e9rique) ou litt\u00e9raires (\u00e9crit documentaire, fiction) dont l\u2019objet r\u00e9pond \u00e0 la th\u00e9matique du num\u00e9ro. Les propositions de contribution devront \u00eatre envoy\u00e9es en format PDF avant le 31 mars 2023 \u00e0\u00a0<a style=\"color: #000000;\" href=\"mailto:articles@imagessecondes.fr\"><span style=\"text-decoration: underline;\">articles@imagessecondes.fr<\/span><\/a>. Les articles et \u0153uvres seront publi\u00e9s courant 2024 sur le site internet de la revue.<\/span><\/p>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<h5 class=\"has-medium-font-size wp-block-heading\"><span style=\"color: #cf2e2e;\"><strong>Comit\u00e9 scientifique du num\u00e9ro<\/strong><\/span><\/h5>\n<p><span style=\"color: #000000;\"><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Olivier A\u00efm\u00a0<\/strong>(Celsa \u2014 Sorbonne Universit\u00e9) \u2014 <strong>Laurence Allard\u00a0<\/strong>(Universit\u00e9 de Lille) \u2014 <strong>Emmanuel Alloa\u00a0<\/strong>(Universit\u00e9 de Fribourg) \u2014 <strong>Christa Bl\u00fcmlinger\u00a0<\/strong>(Universit\u00e9 Paris 8 \u2013 Vincennes &#8211; Saint-Denis)\u00a0\u2014 <strong>Aline Caillet\u00a0<\/strong>(Universit\u00e9 Paris 1 \u2013 Panth\u00e9on Sorbonne) \u2014 <strong>Sophie Cras\u00a0<\/strong>(Universit\u00e9 Paris 1 \u2013 Panth\u00e9on Sorbonne) \u2014 <strong>Julien Duval\u00a0<\/strong>(Centre National de la Recherche Scientifique) \u2014 <strong>Andr\u00e9 Gunthert\u00a0<\/strong>(\u00c9cole des Hautes \u00c9tudes en Sciences Sociales) \u2014 <strong>Vincent Jacques\u00a0<\/strong>(\u00c9cole Nationale Sup\u00e9rieure d\u2019Architecture de Versailles)\u00a0 \u2014 <strong>Kira Kitsopanidou\u00a0<\/strong>(Universit\u00e9 Paris 3 \u2013 Sorbonne Nouvelle) \u2014 <strong>Judith Michalet\u00a0<\/strong>(Universit\u00e9 Paris 1 \u2013 Panth\u00e9on Sorbonne)<strong> \u2014 Fabian Muniesa\u00a0<\/strong>(Mines ParisTech) \u2014 <strong>Antonio Somaini\u00a0<\/strong>(Universit\u00e9 Paris 3 \u2013 Sorbonne Nouvelle) \u2014 <strong>Peter Szendy\u00a0<\/strong>(Universit\u00e9 Paris 10 \u2013 Nanterre) \u2014 <strong>Thomas Voltzenlogel\u00a0<\/strong>(Haute \u00c9cole des Arts du Rhin)<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>APPEL \u00c0 CONTRIBUTIONS \u2013 Appel clos \u2013 Consulter l\u2019appel en fran\u00e7ais dans l\u2019int\u00e9gralit\u00e9\u00a0\/\/\u00a0Read the call for papers in English \u00a0 05 | 2024\u00a0Cin\u00e9ma et sp\u00e9culation financi\u00e8re R\u00e9dacteurs en chef du num\u00e9ro Occitane Lacurie, doctorante en \u00e9tudes visuelles et esth\u00e9tique \u00e0 l\u2019Universit\u00e9 Paris 1 \u2013 Panth\u00e9on Sorbonne (\u00c9cole des Arts de la Sorbonne) \u2014 Barnab\u00e9 Sauvage,<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-5963","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P9TfUI-1yb","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/pages\/5963","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/comments?post=5963"}],"version-history":[{"count":33,"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/pages\/5963\/revisions"}],"predecessor-version":[{"id":7007,"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/pages\/5963\/revisions\/7007"}],"wp:attachment":[{"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/media?parent=5963"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}