{"id":4256,"date":"2021-06-26T18:36:35","date_gmt":"2021-06-26T16:36:35","guid":{"rendered":"http:\/\/imagessecondes.fr\/?page_id=4256"},"modified":"2025-12-28T14:39:04","modified_gmt":"2025-12-28T13:39:04","slug":"contributeur-rices-02-2019","status":"publish","type":"page","link":"https:\/\/imagessecondes.fr\/index.php\/contributeur-rices-02-2019\/","title":{"rendered":"Contributeurices 02 | 2020"},"content":{"rendered":"\n<h5 class=\"wp-block-heading has-vivid-red-color has-text-color has-link-color has-medium-font-size wp-elements-cfada46f725ae751c88f3a869a015c4b\" id=\"02-2019-puissances-architectoniques-du-cinema\"><strong>R\u00e9dactrices en chef <\/strong><\/h5>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-876dc569aff31eaa3fc7672337fa8e9c\"><span style=\"color: #;\"><strong>Lydie Delahaye,<\/strong><\/span> doctorante en cin\u00e9ma \u00e0 l\u2019Universit\u00e9 Paris 8 \u2013 Vincennes\u2013Saint- Denis &amp; \u00c9line Grignard, docteure en \u00c9tudes cin\u00e9matographiques, ATER \u00e0 l\u2019Universit\u00e9 Paris Nanterre <strong><span style=\"color: #;\">&amp; \u00c9line Grignard,<\/span><\/strong> docteure en \u00c9tudes cin\u00e9matographiques, ATER \u00e0 l\u2019Universit\u00e9 Paris Nanterre.<\/p>\n\n\n\n<h6 class=\"wp-block-heading\"><\/h6>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\"\/>\n\n\n\n<h5 class=\"wp-block-heading has-vivid-red-color has-text-color has-medium-font-size\" id=\"contributeur-rices\"><span style=\"color: #;\"><strong>Contributeur.rices<\/strong><\/span><\/h5>\n\n\n\n<p><strong>Sonny Walbrou<\/strong> <a href=\"http:\/\/imagessecondes.fr\/index.php\/2020\/02\/21\/walter-benjamin-et-le-colportage-de-lespace\/\">Walter Benjamin et le colportage de l\u2019espace : cin\u00e9ma, architecture et jeu<\/a><\/p>\n\n\n\n<p><strong>Rodolphe Olc\u00e8se<\/strong>&nbsp;<a href=\"http:\/\/imagessecondes.fr\/index.php\/2020\/02\/21\/le-phalanstere-et-limage-en-mouvement\/\">Le phalanst\u00e8re et l\u2019image en mouvement<\/a><\/p>\n\n\n\n<p><strong>L\u00e9a Chevalier<\/strong> <a href=\"http:\/\/imagessecondes.fr\/index.php\/2020\/02\/21\/les-decors-naturels-colores-de-bernard-evein\/\">Les d\u00e9cors naturels color\u00e9s de Bernard Evein. Renouvellement du statut des passants dans l\u2019espace urbain<\/a><\/p>\n\n\n\n<p><strong>Marie Rebecchi<\/strong> <a href=\"http:\/\/imagessecondes.fr\/index.php\/2020\/02\/21\/rem-koolhaas-et-le-groupe-1-2-3-enz\/\">Filmcombo, Film Situationniste. Rem Koolhaas et le groupe \u00ab 1, 2, 3 enz \u00bb<\/a><\/p>\n\n\n\n<p><strong>Jacqueline Maurer<\/strong> <a href=\"http:\/\/imagessecondes.fr\/index.php\/2020\/02\/21\/deux-ou-trois-choses-que-je-sais-delle-et-le-debat-des-grands-ensembles\/\">Questions d\u2019\u00e9chelle et de justesse entre cin\u00e9ma, architecture et urbanisme. <em>Deux ou trois choses que je sais d\u2019elle<\/em> (1967) de Jean-Luc Godard et le d\u00e9bat des \u00ab grands ensembles \u00bb<\/a><\/p>\n\n\n\n<p><strong>Claire Allouche<\/strong> <a href=\"http:\/\/imagessecondes.fr\/index.php\/2020\/02\/21\/le-cinema-dadirley-queiros-comme-esthetique-de-lauto-construction\/\">Bras\u00edlia film\u00e9e depuis sa p\u00e9riph\u00e9rie : le cin\u00e9ma d\u2019Adirley Queir\u00f3s comme esth\u00e9tique de l\u2019auto-construction<\/a><\/p>\n\n\n\n<p><strong>Shahram Abadie<\/strong> <a href=\"http:\/\/imagessecondes.fr\/index.php\/2020\/02\/21\/des-palaces-aux-imax-la-salle-et-lexperience-cinematographique\/\">Des palaces aux Imax, la salle et l\u2019exp\u00e9rience cin\u00e9matographique<\/a><\/p>\n\n\n\n<p><strong>Marc Leschelier<\/strong> <a href=\"http:\/\/imagessecondes.fr\/index.php\/2020\/02\/21\/entretien-avec-marc-leschelier\/\">Entretien<\/a><\/p>\n\n\n\n<p><strong>Clemens von Wedemeyer<\/strong> <a href=\"http:\/\/imagessecondes.fr\/index.php\/2020\/03\/05\/sun-cinema-mardin-turkey-2010\/\">Sun Cinema, Mardin, Turkey, 2010<\/a><\/p>\n\n\n\n<p><strong>Pierre Bourdareau<\/strong> <a href=\"http:\/\/imagessecondes.fr\/index.php\/2020\/02\/26\/meta-morphose\/\">M\u00e9ta-morphose : Figure archi-cin\u00e9matographique de la modification<\/a><\/p>\n\n\n\n<p><strong>Ana\u00efs Linares<\/strong> <a href=\"http:\/\/imagessecondes.fr\/index.php\/2020\/02\/21\/le-motif-de-la-grille-dans-les-oeuvres-filmiques-de-julien-previeux\/\">Le motif de la grille dans les \u0153uvres filmiques de Julien Pr\u00e9vieux<\/a><\/p>\n\n\n\n<p><strong>Gerald Schauder<\/strong> <a href=\"http:\/\/imagessecondes.fr\/index.php\/2020\/02\/21\/skulptur21-2015\/\"><em>Skulptur21<\/em>, 2015<\/a><\/p>\n\n\n\n<p><strong>Jean-Baptiste Lenglet<\/strong> <a rel=\"noopener noreferrer\" href=\"http:\/\/imagessecondes.fr\/index.php\/2020\/03\/05\/les-singes-du-temps-2018-2\/\">Les Singes du temps, 2018<\/a><\/p>\n\n\n\n<h6 class=\"wp-block-heading\"><\/h6>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\"\/>\n\n\n\n<h5 class=\"wp-block-heading has-vivid-red-color has-text-color has-link-color has-medium-font-size wp-elements-56fc5bb06a56e319a5a95f960bb6f80b\" id=\"comite-scientifique\"><strong><span style=\"color: #;\">Comit\u00e9 scientifique<\/span><\/strong><\/h5>\n\n\n\n<p><strong>Christa Bl\u00fcmlinger,<\/strong> ESTCA, Universit\u00e9 Paris-8-Vincennes-Saint-Denis&nbsp;<span style=\"color: #ff5e3a;\">\u2014\u2014&nbsp;<\/span><strong>Evgenia Giannouri<\/strong>, IRCAV, Universit\u00e9 Paris 3 \u2013 Sorbonne Nouvelle&nbsp;<span style=\"color: #ff5e3a;\">\u2014\u2014&nbsp;<\/span><strong>Laurent Guido,<\/strong> CEAC, Universit\u00e9 de Lille SHS&nbsp;<span style=\"color: #ff5e3a;\">\u2014\u2014&nbsp;<\/span><strong>Mathias Lavin,<\/strong> ESTCA, Universit\u00e9 Paris-8-Vincennes-Saint-Denis&nbsp;<span style=\"color: #ff5e3a;\">\u2014\u2014&nbsp;<\/span><strong>Sophie Paviol,<\/strong> \u00c9cole Nationale Sup\u00e9rieure d\u2019Architecture de Grenoble&nbsp;<span style=\"color: #ff5e3a;\">\u2014\u2014&nbsp;<\/span><strong>Clotilde Simond,<\/strong> Universit\u00e9 Paris 3 \u2013 Sorbonne Nouvelle&nbsp;<span style=\"color: #ff5e3a;\">\u2014\u2014&nbsp;<\/span><strong>Antonio Somaini,<\/strong> LIRA, Universit\u00e9 Paris 3 \u2013 Sorbonne Nouvelle.<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-vivid-red-color has-text-color has-link-color has-medium-font-size wp-elements-8a9dc88780044e3098799edebe293439\" id=\"comite-de-redaction-de-la-revue\"><strong><span style=\"color: #;\">Comit\u00e9 de r\u00e9daction de la revue<\/span><\/strong><\/h5>\n\n\n\n<p><strong>Marion Carrot, <\/strong>doctorante en cin\u00e9ma, Universit\u00e9 Paris-8-Vincennes-Saint-Denis&nbsp;<span style=\"color: #ff5e3a;\">\u2014\u2014<\/span> <strong>Florence Ch\u00e9ron, <\/strong>docteure en \u00c9tudes Cin\u00e9matographiques, rattach\u00e9e \u00e0 l\u2019ESTCA, Universit\u00e9 Paris-8-Vincennes-Saint-Denis&nbsp;<span style=\"color: #ff5e3a;\">\u2014\u2014<\/span> <strong>Lydie Delahaye, <\/strong>doctorante en cin\u00e9ma, Universit\u00e9 Paris-8-Vincennes-Saint-Denis&nbsp;<span style=\"color: #ff5e3a;\">\u2014\u2014&nbsp;<\/span><strong>B\u00e1rbara Janicas, <\/strong>doctorante en cin\u00e9ma, Universit\u00e9 Paris-8-Vincennes-Saint-Denis <span style=\"color: #ff5e3a;\">\u2014\u2014&nbsp;<\/span><strong>Val\u00e9rie Jottreau, <\/strong>doctorante en cin\u00e9ma, Universit\u00e9 Paris-8-Vincennes-Saint-Denis&nbsp;<span style=\"color: #ff5e3a;\">\u2014\u2014<\/span> <strong>C\u00e9line Pluquet, <\/strong>doctorante en cin\u00e9ma, Universit\u00e9 Paris-8-Vincennes-Saint-Denis.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>R\u00e9dactrices en chef Lydie Delahaye, doctorante en cin\u00e9ma \u00e0 l\u2019Universit\u00e9 Paris 8 \u2013 Vincennes\u2013Saint- Denis &amp; \u00c9line Grignard, docteure en \u00c9tudes cin\u00e9matographiques, ATER \u00e0 l\u2019Universit\u00e9 Paris Nanterre &amp; \u00c9line Grignard, docteure en \u00c9tudes cin\u00e9matographiques, ATER \u00e0 l\u2019Universit\u00e9 Paris Nanterre. Contributeur.rices Sonny Walbrou Walter Benjamin et le colportage de l\u2019espace : cin\u00e9ma, architecture et jeu Rodolphe<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-4256","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P9TfUI-16E","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/pages\/4256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/comments?post=4256"}],"version-history":[{"count":8,"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/pages\/4256\/revisions"}],"predecessor-version":[{"id":8072,"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/pages\/4256\/revisions\/8072"}],"wp:attachment":[{"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/media?parent=4256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}