{"id":2257,"date":"2020-02-20T13:00:30","date_gmt":"2020-02-20T12:00:30","guid":{"rendered":"http:\/\/imagessecondes.fr\/?page_id=2257"},"modified":"2024-12-14T16:48:35","modified_gmt":"2024-12-14T15:48:35","slug":"puissances-architectoniques-du-cinema","status":"publish","type":"page","link":"https:\/\/imagessecondes.fr\/index.php\/puissances-architectoniques-du-cinema\/","title":{"rendered":"02 | 2020 Puissances architectoniques du cin\u00e9ma\u00a0"},"content":{"rendered":"
R\u00e9dactrices en chef du num\u00e9ro<\/span>
\nLydie Delahaye &\u00a0\u00c9line Grignard<\/span><\/strong><\/h5>\n
\n

Le second num\u00e9ro de la revue Images secondes<\/em> se propose d\u2019envisager les dynamiques convergentes entre le cin\u00e9ma et les approches pratiques et th\u00e9oriques de l\u2019architecture. Si le passage de l\u2019architecture \u00e0 l\u2019\u00e9cran a bien souvent \u00e9t\u00e9 mis en \u00e9vidence du point de vue de la repr\u00e9sentation cin\u00e9matographique, notamment \u00e0 travers la notion de d\u00e9cor, ce num\u00e9ro d\u2019Images secondes souhaite explorer les dimensions dialogiques entre les formes filmiques et celles de l\u2019architecture.<\/p>\n

\n
SOMMAIRE<\/strong><\/span><\/h5>\n
EDITORIAL<\/strong><\/span><\/h6>\n

Lydie Delahaye &\u00a0\u00c9line Grignard<\/strong> Introduction<\/a><\/span><\/p>\n

URBANISME<\/strong><\/span><\/h6>\n

Sonny Walbrou <\/strong>Walter Benjamin et le colportage de l\u2019espace : cin\u00e9ma, architecture et jeu<\/a><\/span><\/p>\n

Rodolphe Olc\u00e8se<\/strong>\u00a0Le phalanst\u00e8re et l\u2019image en mouvement<\/a><\/span><\/p>\n

L\u00e9a Chevalier <\/strong>Les d\u00e9cors naturels color\u00e9s de Bernard Evein. Renouvellement du statut des passants dans l\u2019espace urbain<\/a><\/span><\/p>\n

Marie Rebecchi <\/strong>Filmcombo, Film Situationniste. Rem Koolhaas et le groupe \u00ab 1, 2, 3 enz \u00bb<\/a><\/span><\/p>\n

CONSTRUCTION<\/strong><\/span><\/h6>\n

Jacqueline Maurer <\/strong>Questions d\u2019\u00e9chelle et de justesse entre cin\u00e9ma, architecture et urbanisme. Deux ou trois choses que je sais d\u2019elle<\/em> (1967) de Jean-Luc Godard et le d\u00e9bat des \u00ab grands ensembles \u00bb<\/a><\/span><\/p>\n

Claire Allouche <\/strong>Bras\u00edlia film\u00e9e depuis sa p\u00e9riph\u00e9rie : le cin\u00e9ma d\u2019Adirley Queir\u00f3s comme esth\u00e9tique <\/a>de l\u2019auto-construction<\/a><\/span><\/p>\n

CAMERA OBSCURA<\/span>
\n<\/strong><\/h6>\n

Shahram Abadie <\/strong>Des palaces aux Imax, la salle et l\u2019exp\u00e9rience cin\u00e9matographique<\/a><\/span><\/p>\n

Marc Leschelier<\/strong> Entretien<\/a><\/span><\/p>\n

Clemens von Wedemeyer <\/strong>Sun Cinema, Mardin, Turkey, 2010<\/a><\/span><\/p>\n

VIRTUALITE<\/strong><\/span><\/h6>\n

Pierre Bourdareau<\/strong> M\u00e9ta-morphose : Figure archi-cin\u00e9matographique de la modification<\/a><\/span><\/p>\n

Ana\u00efs Linares <\/strong>Le motif de la grille dans les \u0153uvres filmiques de Julien Pr\u00e9vieux<\/a><\/span><\/p>\n

Gerald Schauder <\/strong>Skulptur21<\/em>, 2015<\/a><\/span><\/p>\n

Jean-Baptiste Lenglet <\/strong>Les Singes du temps, 2018<\/a><\/span><\/p>\n

\n

Bibliographie g\u00e9n\u00e9rale<\/a><\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

R\u00e9dactrices en chef du num\u00e9ro Lydie Delahaye &\u00a0\u00c9line Grignard Le second num\u00e9ro de la revue Images secondes se propose d\u2019envisager les dynamiques convergentes entre le cin\u00e9ma et les approches pratiques et th\u00e9oriques de l\u2019architecture. Si le passage de l\u2019architecture \u00e0 l\u2019\u00e9cran a bien souvent \u00e9t\u00e9 mis en \u00e9vidence du point de vue de la repr\u00e9sentation<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-2257","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P9TfUI-Ap","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/pages\/2257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/comments?post=2257"}],"version-history":[{"count":76,"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/pages\/2257\/revisions"}],"predecessor-version":[{"id":6950,"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/pages\/2257\/revisions\/6950"}],"wp:attachment":[{"href":"https:\/\/imagessecondes.fr\/index.php\/wp-json\/wp\/v2\/media?parent=2257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}